over the last fifty years few musicians or performers have created as monumental and uncompromising a body of work as that of keiji haino. through a vast number of recordings and performances haino has staked out a ground all his own creating a language of unparalleled intensity that defies any simple classification. for all this, his 1981 debut album watashi dake? has remained enigmatic. originally released in a small edition by the legendary pinakotheca label, the album was heard by only a select few in japan and far fewer overseas. original vinyl copies became impossibly rare and highly sought after the world over. watashi dake? presents a haunting vision stark vocals, whispered and screamed, punctuate dark silences. intricate and sharp guitar figures interweave, repeat and stretch, trance-like, emerging from dark recesses. written and composed on the spot haino’s vision is one of deep spiritual depths that distantly evokes 1920s blues and medieval music yet is unlike anything ever committed to record before or since. coupled with starkly minimal packaging featuring the now iconic cover photographs by legendary photog rapher gin satoh, the album is a startling and fully realized artistic statement.

since its release last year, the grammy nominated album louie vega starring…xxviii has reached unfathomable heights, after 8 single vinyl releases and two full triple set album releases, we still have one more up our sleeve. today, here we are in the third and final installment of the louie vega starring…xxviii vinyl album release series, this time taking it to another level with unreleased and lost mixes. when making an album there are usually way more than the number of songs allocated for the project. in this case there were over 50 songs and tracks created for the louie vega starring…xxviii album. vega has selected 14 unreleased and lost tracks from the recordings and put together dj friendly versions with these super talented artists involved: funkadelic, nick monaco & soul clap, kenny bobien, cindy mizelle, maphorisa, berita, wanda baloyi & kabomo (south african top talent), roberto roena (of the fania all stars), brutha basil, jesse jackson (blues rock artist), sara devine, luis salinas (argentinean guitarist), duane harden (song/hitmaker), & 3 winans brothers featuring the clark sisters. the packaging is lovely with an open gatefold huge picture of a mural painted by none other than richard wilson uk artist. mastering by the great walter coelho, for sonic perfection & pressing manufactured by optimal in germany.

mind fair return with a deadly two-part interpretation of the joe jackson classic steppin out. for their latest rogue cat sounds incarnation the golf channel mainstays have enlisted the indispensable talents of charmaine baines on vocals, climax blues bands derek holt (bass &guitar) and alex bradbury (sundown drive) on keys. this slowed down, melting pot of soca not soca meets lovers rock, reggae, blues and soul is brought to you in two parts part one deals mostly with the song, charmaine s vocals sounding suitably dreamy and laid back whilst part two puts focus on the instrumental groove where the guitars, strings and rhodes are the main attraction. mark e provides one of his merc dubs on the flip which takes a afro rhythm meets beat down central then builds intensively with rhodes and a horn section breakdown to die for the man is on form! essential music to step out to this summer for sure!

nice price deal !!! der kalifornische songwriter huldigt seinen helden mit gefühlvollen coverversionen.
inklusive code für freien mp3-download.

nachpressung des akua naru albums aus dem jahr 2015 als 140g pressung im klappcover ohne download-coupon!
inspiriert durch gespräche mit der renommierten autorin und professorin für african studies, dr. tricia rose, orientiert sich die botschaft des zweiten studio-albums der in köln lebenden exil-amerikanerin akua naru an den erfahrungen dunkelhäutiger menschen in den usa und europa. der titel ist eine metapher und steht für die schicksalhafte ambivalenz jener kanarienvögel, die früher als eine art warnsystem für unvorhersehbare ereignisse im bergbau eingesetzt wurden. das album enthält beiträge großartiger künstler, die akua bei ihren touren und zahlreichen studioaufenthalten rund um den globus kennen- und schätzen lernte, darunter schlagzeuger-legende bernard purdie (roy ayers, last poets), den trompeter christian scott (prince) sowie cody chesnutt (-the seed 2.0 feat. the roots-), die neo-soul-durchstarterin georgia anne muldrow, den drummer daru jones (jack white) und den bei motown-france gesignten soulsänger ben l oncle soul. maßgeblich beeinflusst von jazz, neo soul, blues und r&b, punktet -the miner s canary- mit einer deutlich ausgeprägteren hip hop-Ästhetik als akua narus 2012 erschienenes debüt -the journey aflame-.

for rainy days, only one per customer... ltd repress

with gilles peterson singing their praise and rave reviews from the likes of wax poetics, record collector and songlines, last year, nomade orquestra’s self-titled debut album launched them from humble beginnings to international recognition. nomade orquestra return from the stratosphere via brazil with their second offering: entremundos (between worlds).
pressing on 180 gram vinyl.

naughty selfie stick benders

one of the sweetest and most idiosyncratic voices in reggae, tenor singer cornell campbell also has one of the longest-running careers of any jamaican recording artist. taken under studio one founder clement sir coxsone dodd’s wing at a very young age, cornell cut his first recordings in 1956, long before ska was even established. he remained based at studio one for many years (working as a label printer as well as a recording artist), and also voiced sides for king edwards in the ska years. he then briefly joined the sensations in rock steady and recorded at treasure isle, before moving back to studio one as leader of the eternals when reggae arrived, cutting huge hits there such as stars and queen of the mistrel, and giving early coaching to slim smith, jacob miller and bassist robbie shakespeare. joining forces with ace producer bunny striker lee in the mid-1970s brought a dramatic new surge in popularity that greatly boosted his profile overseas. the ropin lp was issued on third worlds justice subsidiary in 1980 a sub label set up to handle strikers product in the uk (though hits like mash you down and the title track had been handled in jamaica by joe gibbs). one of the albums outstanding moments is bandulu, an anti-rude boy epic voiced on the late night blues rhythm, while opening cover, just my imagination, has an uncredited toasting portion from errol scorcher.

a brand new instalment in the trans afryka series, that is loosely inspired by the sounds of the black continent and devoted to club-oriented afro-house. riding the waves of success with sold out volume 1, zambon employed three talented producers to bring more goods to the table. transatlantyk regulars like dj dook and universo are joined by a newcomer tamten and together deliver a bomb of an ep! aptly titled afro acid by dj dook is exactly what it says on the sleeve - raw dj tool with squelchy samples, mantra-like vocal loop and focused vibe. think of an soundtrack to a futuristic version of apocalypse now. just the perfect peaktime beats to heat the party a little bit more. praise song by universo is built on a wandering bassline reminiscent of malian blues with tribal chants, penny whistles and various sorts of percussions on top. this beautiful groove rolls and rolls without end, like an endless summer. ukukhnaya by tamten is the most atmospheric out of the three, fusing new age midi sounds with the vibes of south african deep house.

this is a collection of works from british musician gp hall, recorded between 1994 and 1999. for over four decades, guitar in hand hall encountered many styles, jazz, blues, flamenco, rock, folk, and classical improvisation. all contributed to the creation of his unique style. emerging from the british blues boom of the 1960’s, he then followed a long and winding path through various scenes and cultures. in spain, he was influenced by flamenco master manitas del plata before touring europe with liverpool band casey jones & the governors. he was commissioned three times (twice by the arts council of great britain) for original music and was immersed in the avant-garde scene of the 1970’s as an improviser, a pioneer of electric flamenco and a composer of large-scale ensemble pieces. during the 1980’s hall turned his focus to soundtrack music before reinventing himself as the solo performer he is today. with this strong foundation he branched into a tactile expression of his craft, discovering a new style which he called industrial sound sculptures. these sonic compositions are performed on electric and acoustic guitars as well as the six-string bass and are played with various techniques and implements including slides, battery fans, the psaltery bow, razors, toys, velcro and crocodile clips which are fed through sound processors to create a rich sonic environment.

words, blue notes, boom bap and bad news: here comes “the shift”, the third album of stand high patrol.

kalakuta soul records proudly presents the homewreckers new full length album, machinekiss. the ruhr valley-raised trio have been heavily involved in the underground dance music scene for many years and the soulfulness of their output is unquestioned. now machinekiss might come as their masterpiece. recorded over the past three years the album s nine tracks evolved out of a long in-depth investigation of blues and funk recordings from 1910 to 1980. as the sole sonic sources, the musicians - johannes ehmann, gregor pottmeier and krischan wesenberg - use their own music collections, making the work a reflection of their personal and collaborative history and backgrounds.micro particles of guitar chords, organ sounds and drum elements reappear in new contexts and are fused with contemporary synthesizer and bass motifs. the results are deep, rhythmic, complex and eccentric, leading the listener into the melancholic, more obscure sides of urban life.

a journey into deep soulful jazz & funk from the 1970s! praise poems vol.5 zeigt erneut, dass es bei musik immer auch um ein gef³hl geht. musik/ emotion/stimmung! jeder einzelne song auf diesem album ist ein meisterst³ck, das seinesgleichen sucht. diesmal mit dabei: gunn high school jazz reunion, keither florence, robert cote, plas johnson, charlie chisholm boss-tet, u.v.a.

heavy hammond organ led driving ancefloor devastation on whip it on me taken from the heavy soul album from 1968. on flipside and taken from the new genius of the blues album from 1967 and the first time ever on a 45 is bill s killer rendition of got my mojo working (but it just won t work on you) featuring mr hawks on vocals and organ and joseph jones on guitar. powerful stuff from the mukatsuku camp and another essential single for your record box! limited edition. strictly no repress

glyn -bigga- bush began his production career with rockers hi fi in the early 90s, co-writing several studio albums, a host of remixes and the infamous dj kicks - the black album. in 2000 he went solo as both biggabush and lightning head, making albums for sonar kollektiv and stereo deluxe as well as many more remixes. his sound reflects his love of dub reggae, analogue synthesisers and intricate rhythms, with influences of samba, afrobeat, the deep dubscapes of rhythm & sound and most recently the more interesting end of 140bpm bass music. this ep is his first vinyl release since the late 00s and takes in a number of bass-heavy rumblers with classic biggabush twists and turns, starting with the steppas delight of mangrove monkey, relentless subs and skanks of sounds & blues, post-dubstep breaks on dash way com and finishing with a minimal 4/4 fx soundscape on footsie index.

uk producer allen saei aka aubrey is no stranger to burek family, having already remixed information ghettos -inspiration- track for burek in 2013 and dj stingray s -communication system- track released on barba in 2015. as is to be expected from a guy whos been spending time in the studio for better part of the last three decades, on 13th barba release aubrey delivers a mature and consistent space-themed club 12- titled -space funk-.

2020 repress available! the triple vinyl contains a download code for the full 13 track album.
“ok so this is my 7th album, it doesn’t feel like it but i don’t know what should ... the last dnb album i wrote from the ground up was overflow, so in between i released shelflife 2 a compilation of unreleased tracks, and shine a light my weird departure from everything, with even ifË. i was back on familiar ground, i employed my voice a few times, got emotional, forgot everything and turned the tempo up. i am always looking for the songwriter slant in dnb, to feel the blues in my music is important to me, it is a raw connection i never get tired of looking for. and to sing it means a lot to me. i have tried to cover my own long standing interests in a musical genre that was supposed to have died a long time ago. and so here it is, a collection of tunes i have put together for the purpose of moving some part of you that’s the same part of me.” - calibre 2010

endlich! das 2008er deb?t erstmalig auf vinyl erh§ltlich! hellsingland undergrounds deb?t tritt uns als echtes album alter schule entgegen, mit feinem flow, gen?gend abwechslung und vor allen dingen mit keinem einzigem l?ckenf?ller. daf?r aber mit f?nf oder sechs wahrhaftigen topsongs, die gleich h§ngenbleiben und mit fortschreitender zeit zu vermeintlichen klassikern mutieren ... g§be es noch vern?nftige plattenl§den, w?rde ich empfehlen: leute, rennt zum plattenh§ndler eures vertrauens und kauft euch dieses album, ihr werdet es lieben. und vergesst nicht, eure freunde einzuweihen. hellsingland underground sind die band der stunde. hooked-on-music

at the start of the fifties miles davis career had hit a barrier which, for a period of time, seemed insurmountable, but by mid-decade, with his substance-abuse troubles behind him, he had established himself as one of the major artists on the modern jazz scene. kind of blue can often be found at the very top of jazz record polls and, despite competing claims, is probably the best-selling jazz record of all time. the listener should be in no doubt that they now own some of the most essential music of the twentieth century and on gleaming blue 180g vinyl!

at the start of the fifties miles davis career had hit a barrier which, for a period of time, seemed insurmountable, but by mid-decade, with his substance-abuse troubles behind him, he had established himself as one of the major artists on the modern jazz scene. kind of blue can often be found at the very top of jazz record polls and, despite competing claims, is probably the best-selling jazz record of all time. the listener should be in no doubt that they now own some of the most essential music of the twentieth century and on 180g vinyl!

das von gilles peterson gegründete label brownswood feiert sein 10-jähriges bestehen mit einem limitierten lp-sampler mit zehn coverversionen seiner künstler. neben bereits bekannten tracks finden wir hier das bislang unveröffentlichte cover von cans “vitamin c” der owiny sigoma band, emanatives sun ra-cover in einem bislang unveröffentlichten mix sowie malas dubstep-version des peruanischen traditional-meilensteins “cunumicita”. schwarzes 180g doppelvinyl.

london’s luna monk steps up to bat for silver lake and delivers two cuts of beatless, otherworldly ambience spanning a total of just over 26 irresistible minutes. an ep of two sides, of sunshine and rain, this is an exploration of light and dark, and all the areas in between. on the a side ‘sun kiss’ breathes and pulsates like a sunrise in slow motion, solar flares slowing burning away the morning mist of a melancholy dawn. a product of london, over its evolving duration it nonetheless bares more than a passing nod to the land of the rising sun.
over on the b, ‘sun setting blues’ changes tact and provides the perfect juxtaposition. this is submersive and aquatic, fractured static noise broadcast to the never ending universe whilst rain streaks down the outside of the window. eventually celestial voices break through the abyss and drag us back from the void. truly immersive work, without doubt salvaged from the bottom of a distant alien ocean...

repress! 2lp gatefold with liner notes, 180gr vinyl. funky chimes is a two-hour collection of excellent and unique grooves. it contains 27 of the most interesting yet long forgotten belgian dance tracks from the seventies.

skyline remixes ep collects on vinyl some of the most exciting remix moments from the rapid ascent of izo fitzroy - the gospel & blues sensation whose debut album skyline has been lauded by both uk and international press. in its original form (produced by dr. rubberfunk) the album is a stunner but it soon became clear that a voice as distinctive and powerful as izo s was always going to suit the remix treatment.

zurück zu den eigenen wurzeln: von blues und soul inspiriertes drittes soloalbum von emily barker. pressung auf 180 gramm vinyl, downloadcode für das gesamte album plus bonus-tracks inklusive.

die mitglieder der britischen gruppe hawkwind gelten als begründer des sogenannten space rock, einer psychedelischen spielart des hard rock. die band wurde 1969 gegründet und hat 1970 ihr erstes album vorgelegt. gründer und einziges konstantes mitglied ist der gitarrist dave brock.
knapp ein jahr nach der erfolgreichen veröffentlichung des konzeptalbums -the machine stops- liefert die britische space-rock-legende hawkwind mit -into the woods- nun den nächsten longplayer, der thematisch an den vorgänger anknüpft. -into the woods- bietet 14 erstklassige space-rock-tracks, darunter titel wie -cottage in the woods-, -have you seen them-, -space ship blues- oder -magic mushroom-. -into the woods- ist das atemberaubende neue album von hawkwind. eine empfehlung für alle psychedelic-rock-, space-rock und hawkwind-fans!
jetzt erhältlich als limitiertes doppel-vinyl!

die welt ist ein pulverfass. wer hält eigentlich das streichholz? die antwort darauf haben the builders and the butchers auf ihrer neuen platte nicht, dafür lotet das quintett aus portland, oregon auf den elf songs von “the spark” den schmalen grat zwischen funke und flächenbrand aufs spannendste aus. ihre düsteren bis morbiden geschichten verpacken sie in eine stimmungsvolle und facettenreiche soundwelt zwischen folk, rock, blues und bluegrass.
die vinyl-lp erscheint inklusive downloadcode.

eigentlich wollten nick cave & the bad seeds bereits vor gut drei jahren ein best-of-album veröffentlichten. aufgrund verschiedener dinge, persönlicher tragödien und ihres neuen albums wurde das release jedoch verschoben.
2017 dürfen wir uns nun umso mehr darüber freuen. hier ist »lovely creatures – the best of… (1984–2014)« – ein karriererückblick auf 180 gramm 3-fach vinyl.

croatian producer el nino andres is steadily building up an impressive arsenal of disco and deep house heaters on his own jackie brown label, having previously been running the hija de colombia imprint. on this fourth slab he pushes his sound into even more intriguing places. opening track slow mo tuesdays lets things roll out on a decidedly dusty tip carried by off-kilter drums. riviera blues stands out thanks to its tough 80s-styled drums and warm soulful melodics. low end massacre meanwhile gets choppy in the edit and makes a devilishly good job of riding the samples.

(limited to 300 copies) this 5-tracker across two slabs of vinyl is deetrons round-up take on house music as it stands today, from the hands and ears of a well-medalled and highly fielded dj.

sistrum proudly welcomes aleqs notal to the family with ascending nodes. arriving as yet another unique thread in the ever-expanding fabric of the sistrum sonic tapestry,the ep is a statement on deep, warm vibrations for those in search of soul cleansing sounds. listen often, listen loud and dance abundantly…

a collection of sun ra singles from 1962 - 1991 on triple vinyl with download code included.

durch ein kreatives feuer entfacht, enthüllt parov stelar auf seinem neuen album »the burning spider« neue, unerwartete seiten seiner musik und öffnet dabei ein neues kapitel seiner samplebasierten klangforschung quer durch die musikgeschichte.

exklusive zusammenstellung und 100. katalognummer von sonorama records – vierzehn unbekannte tracks, aufgenommen 1959-63 in westdeutschland von einigen der besten europäischen jazzmusiker jener zeit, mit barney wilen, francy boland, rolf kühn, joki freund, attila zoller, fats sadi, roland kovac, rolf ericson, michael naura und unzähligen anderen. alle aufnahmen ausgewählt aus sammlerarchiven und sorgfältig gemastert für 2lp-gatefold-vinyl und longplay-digipack-cd, mit neuen sleeve notes sowie künstlerfotos von susanne schapowalow und hans harzheim. große momente aus der wirklich prosperierenden phase des europäischen progressive jazz.

undocumented soul & folk, compiled by dj roman bloecker. double vinyl with liner notes and download code.

unique soul jazz records’ record store day seven-inch box set comprising five separate singles featuring ten killer rare collectors tracks from studio one records, featuring ska, roots, rocksteady, dub.
seminal, rare and classic tunes! these singles have only ever ever been available exclusively direct from soul jazz records’ soho shop in london and are available worldwide only for this collectors box set rsd special release.
this unique box-set edition is only available as a one-off pressing especially for record store day 2017.

the casino edits series continues with two more disco-inspired dj tools, ready to compromise the structural integrity of any neighbourhood discotheque. casino times tackle the a side, taking a cover of an early blues classic and cutting it up into an unconventional flamenco-italo hybrid. whilst on the flip, we welcome longtime friend and banoffee pies affiliate malcolm to the series, with his driving interpretation of a dial tone infused, late 70s ny disco jam..

180gr pressing, ltd 2x12 inch brown vinyl
incl mp3 dl,
incl 16 page booklet
full, unedited and uncensored concert at folsom prison

180 gram 2x12 inch lp in gatefold sleeve with liner notes and download code included.
a new, twenty-track compilation focussing on a twenty-year period (1950-1970) of modern jazz in the little kingdom, featuring the leading players from that era. due to the absence of its main players during the heydays of modern jazz, belgium will not be remembered for a unique jazz sound or an extensive discography. however, the little country produced a number of highly talented musicians who played lead roles on the international jazz scene. let s get swinging: modern jazz in belgium 1950-1970 retraces their steps and presents some of their finest works, including guitarist philip catherine, saxophonist jack sels, multi-instrumentalist jacques pelzer and vibraphone player, percussionist and vocalist fats sadi lallemand.

coyus remix for natural blues was just the prelude for our big hommage to one of the biggest pop and electronic music artists of the 90s, moby. we are proud to have this great bunch of remixes of some of the classic mobys anthems, with different options from deep house to techno, for a wide range of djs and music lovers. four awesome artists, victor ruiz, julian jeweil, reinier zonneveld and oxia deliver seven remixes of tracks like natural blues, go, porcelain and why does my heart feel so bad . enjoy the package!

das dritte andrew coms album -canyons of my mind- erscheint anfang april via loose music. das album besteht aus elf songs und wurde von skylar wilson (justin townes earle, caitlin rose) und jordan lehning (rodney crowell, caitlin rose) mitproduziert. aufgenommen wurde es in den battle tapes studio in nashville und bewegt sich musikalisch zwischen rock, country und singer/songwriter.
pressung auf 180 gramm vinyl, downloadcode inklusive.

zwei schwarze heavyweight lps im klappcover inkl. mp3-downloadkarte und poster + zwei vinyl only bonustracks.
zweitwerk des world music trios um folk-koryphäe james yorkston! das zweite album von yorkston/thorne/khan wird anfang april auf domino veröffentlicht. es folgt dem von kritikern gefeierten banddebüt “everything sacred” von 2016 und präsentiert einen zusammenspiel verschiedener strömungen wie dem nordindischen sarangi, jazz-gefärbtem bass mit reminiszenzen an danny thompson und einer akustik gitarre, die den folk- & blues-koryphäen elizabeth cotton, dick gaughan und mississippi john hurt tribut zollt – und drei sehr unterschiedlichen vokalisten: james yorkston (east neuk of fife), jon thorne (isle of wight) und suhail yusuf khan (neu delhi). “neuk wight delhi all-stars” ist eine sammlung von traditionellen indischen und britischen folksongs, wunderschönen originalen und eigenwilligen coverversionen, die nicht nur klassische musik aus indien und jazz zusammenbringt, es zitiert ebenfalls reggae, irischen dudelsack und den einfluss des madagassischen gitarristen d’gary. Über diese bandbreite sagt thorne: “i think ytk is a fine example of how music operates without boundaries as a common international language and a source of cross-cultural unity. it’s an important message in the times that we live in.”

zwei schwarze heavyweight lps im klappcover inkl. mp3-downloadkarte + einem vinyl only bonustrack.
zweitwerk des world music trios um folk-koryphäe james yorkston! das zweite album von yorkston/thorne/khan wird anfang april auf domino veröffentlicht. es folgt dem von kritikern gefeierten banddebüt “everything sacred” von 2016 und präsentiert einen zusammenspiel verschiedener strömungen wie dem nordindischen sarangi, jazz-gefärbtem bass mit reminiszenzen an danny thompson und einer akustik gitarre, die den folk- & blues-koryphäen elizabeth cotton, dick gaughan und mississippi john hurt tribut zollt – und drei sehr unterschiedlichen vokalisten: james yorkston (east neuk of fife), jon thorne (isle of wight) und suhail yusuf khan (neu delhi). “neuk wight delhi all-stars” ist eine sammlung von traditionellen indischen und britischen folksongs, wunderschönen originalen und eigenwilligen coverversionen, die nicht nur klassische musik aus indien und jazz zusammenbringt, es zitiert ebenfalls reggae, irischen dudelsack und den einfluss des madagassischen gitarristen d’gary. Über diese bandbreite sagt thorne: “i think ytk is a fine example of how music operates without boundaries as a common international language and a source of cross-cultural unity. it’s an important message in the times that we live in.”

following on from releases by urulu and yaki incipient, south street return with their third release of sublime house cuts by flabaire. as part of the highly respected d.ko records crew and an integral part of paris house scene, flabaire s reputation has been steadily growing in the past few years. with a string of releases on popcorn records, organic-music, his own d.ko records and now south street, the frenchman is definitely one to watch!

moving music records present the previous unreleased soundtrack to the norwegian cult movie, heaven and hell. a soundtrack written and composed by norwegian maestro egil monn-iversen. it features some of the key norwegian jazz musicians, terje rypdal, jan garbarek and the late svein christiansen. jan erik kongshaug mixed the session.
it was originally recorded summer 1969 and planned for a full release, but it never happened, until now! one of the most exciting norwegian releases this year.
egil monn-iversen nearly perfect score borrows elements from john barrry and lalo schifrin soundtrack music, the opening theme song, sung by inger lise rypdal sounds like it could be a norwegian bond movie theme! key players are hired in from the late 60’s norwegian jazz-scene and you can hear early talents like jan garbarek and terje rypdal in full bloom! the result is a vivid soundtrack that could rank up with any good 60s 70s european groovy soundtrack score!

hailing from the ruhr area in germany, the homewreckers have a long history to look back on. numerous projects have involved the three band members johannes ehmann, gregor pottmeier and krischan wesenberg in the past 20 years always meandering between the realms of jazz, blues, soul, house and techno. between the profound bags of djs and the shelves of audiophile heads. their unique sound spans from deep dancefloor oriented electronic music to film soundtracks that, amongst others, underlined the infamous productions of the artist harun farocki. confusion ep is an excerpt of their upcoming album machine kiss that sums up six years of research and work and melts the influence of more than 25 years of knowledge onto one record.

future beat alliance records! mr. matthew puffett is presenting his own label with unreleased music from the past and of course with re-issues of his timeless productions. the kick-off is a re-issue of -mode 2- which was originally released 1996 on void records. this beauty comes as remasterd vinyl only release!